Monthly Archives: April 2012
The Color of Courage, New Hampshire
Color Adjusting and the Period Film Experience
Keep in mind, I know just enough about this topic to be dangerous, and if you have ever argued, as a family, about the proper color adjustment of the television set, you have an idea how volatile this issue can be, but the bottom line is that almost everything you see on television and in theaters these days has been “color adjusted,” “colorized,” “color balanced,” or “color massaged” in some way.
One way of understanding this reality is to consider the last time you saw one of those “on the set” interviews. Continue Reading »
The Photoshop Syndrome
Three weeks. That’s a big break in the production blog, and it
has to do with, well, production. We’re working hard to bring in the next episode by the first week in May.
On that front, there are a few cuts and transitions we’re still debating, but it’s pretty much a matter of color and music now, and it all looks pretty nice in our book.
Over the years I’ve come to warn people about what I call the “Photoshop Syndrome,” but lately I have come to believe it’s a life truth more ancient than Adobe. Continue Reading »
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